Top Ten Photography Tips for Singapore

Okay, so this is wa- haa-hay more than ten tips. But I thought I would round it down and save some title space.

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1. Depending on which time of the year, Singapore is a bright city. Take full advantage of the golden hours outside. But the rest of the day should probably be used for indoor photography.  This won’t be a difficult decision, though, since midday hours are the hottest time of day.

Highlights:

2. You will probably get some great aerial photography taking the cable car over to Sentosa Island during the day. But at night, there are definitely some great photographic opportunities from inside the Singapore Flyer.  Other good high points will include the Marina Bay Sands Hotel & Casino, the university library and any tall building that you can gain access to.  These will be good for day or night shots.

3. Landscape shots can be achieved from just about anywhere in the city from rooftops. But the city also hires out helicopter rides over the entire area starting around $300/half-hour. Check with singaporeheliservices.com.sg/ for booking. And call well in advance.

4. As far as architectural shooting, I would choose a downtown location for evening shooting, depending on where you want the sun. Scouting the morning and night before you shoot will afford you a solid shooting schedule to fit into the very tight window of golden hour light.  Remember, this place is pretty close to the equator, so those dramatic light shots are limited to less hours than, say, somewhere farther north or south in the mid-latitudes.

5. For street portraiture, stick to the heavily trafficked times. The rail system and bridges, as well as public buses, may be off limits due to heavy regulations on filming or stills.  Check with other public works spaces for regulations on this as well.  You will get your kookiest characters at night in and around the Geyland Red-light District and along Arab Street.

6. For nature photography, you can’t go wrong heading into any one of the many public gardens and parks throughout the city.  These places are well kept, manicured daily and almost always free.  And you’re sure to find some rare plants and insects abound.

Gear:

7. Singapore is a city in which you can run-and-gun to your heart’s desire. A tripod may as well be a ball-and-chain for much of what you’ll want to shoot here. The heat is also going to be a factor in how long you will want to stay outside. So unless you’re shooting time-lapse off a bridge (which may be illegal anyway), just go guerilla-style.

8. Fisheye and wide angle lenses work great downtown. It’s colorful enough in the evening that it might justify bringing the sticks out for a nice, panoramic shot.  30-50mm prime lenses will do great in capturing nice, fast action on the sidewalks for your street photography.  But if you head up to the cable cars, helicopter rides or find a nice perch at your rooftop hostel lounge, don’t forget your 200+mm telephoto. There is enough action to justify bringing the extra weight.

9. As I mentioned before, there is no shortage of light during the dry season. This means you’ll probably want a set of Neutral Density filters. In the rainy season, a polarizer might work nicely for cleaning up those later evening high-humidity shots.

10. Weather can be a bit tricky from September to January as the rainy season throughout the region is in full effect during this time.  So if your travel plans have you going there in these months, be sure to bring a zippered raincoat to quickly stow a camera as the rain comes on quite quickly. It might not be a bad idea to carry a large umbrella (though I can’t even count how many of these I have left leaning against a fence because I was so focused on shooting that I forgot about it).  If you can find a way to attach it to a tripod or your backpack, that’s probably the best way to go. And of course, you’ll definitely want to have a cover for your gear bag. This should be with you anyway. But it’s worth a mention.

11. As for wind and dust, you should already have a dust rocket and fiber cloth. But if you don’t, add them to your pack.  You’ll also want to be mindful of changing lenses in the wind here. There is all manner of microscopic wind-borne debris floating around Southeast Asia. And Singapore is no exception.

12. One note about this region that you may either love or hate (but will otherwise still want to know about) is that around August every year, there is a country-wide burning session that takes place in the rice fields of Sumatra. And because of the trade winds pushing west-to-east from Indonesia, the haze that it creates causes havoc all the way up to northern Malaysia.

You could either use this haze to add drama to your shooting style, or it could quite possibly be the bane of your shooting experience here. It all depends on how you prepare and what you’re trying to shoot.  And in either case, you’ll also want to be mindful of your health as the experience of being here during that time is a lot like standing in front of a campfire for three straight weeks.

Safety:

13. Your gear will be safe here. Don’t leave it sitting around, of course, and you’ll leave home with everything that you haven’t personally lost or broken by yourself.

Clothing and the rest:

14. Singapore is non-stop. So whatever you bring, make sure that patience and stamina are right there with you. You’ll be sweating, too. So a handkerchief and loose, light clothing would also be helpful. You won’t have to climb anything that isn’t made of concrete, either. So a light, breathable pair of tennis shoes will do the trick over the heavier hiking boots that other Southeast Asian countries might require.

15. Singapore has some strange laws. Among them are No Spitting, No Swearing, No Drinking in Public, and, sadly, No Filming on Public Lands. What does this mean for you, the photographer?  Well, it could mean many things. I personally have a home office in the U.S. and lawsuits across the pond normally die before they get started due to money, time and effort. But if you’re photographing a business with contacts in your home country, this could spell trouble. Model releases normally quash any question of future legal hassles. Keep them on hand. I’ve actually gotten to the point where I just have one copy on hand and have people sign a list indicating that they have read and understand the model, talent and property release that I can show them upon request.

Having said all this, it is strongly recommended that you do not publish any work that has not been released. If it can be construed as defamatory, fraudulent or otherwise piss someone off in general, you will be at the mercy of a court system you likely know nothing about. And you don’t want to end up in that situation. Get home before you publish your blogs. Singapore is not that big of a place. So you probably won’t be there that long anyway. And I wish I could say that I have never heard of anyone getting in trouble for what they publish in this part of the world, but I have indeed. And most of the time, this results in stiff fines and even imprisonment.

This goes for Malaysia as well. North of that all the way to China, you should be fine. But do not think that just because your blog only has a thousand followers, you won’t be picked up here. Play it safe and publish later.

That’s about it. If you have any questions or want to keep the conversation going, head over to travelgeekmagazine.com and comment on the post.

Thanks for listening and happy shooting!

Nine Years and Nearly 80,000 Images later…

Today is a particularly wonderful day for me.  Not only did I get some amazing feedback from my friends on what to do to make my photography website more functional and more visually appealing, I also awoke this morning to find that my photos were completely transferred to my backup drive.

What’s so special about that, you might be asking?  Well, after I finished editing my last images from the Vietnam album (taken in the spring of 2010) over the weekend, I checked and rechecked — and checked again — and realized that I was completely finished editing nearly 80,000 images that I have collected in the last nine years of traveling, and living and working abroad!

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This has also been the driving force behind the recent rebuilding of my entire website, and also the push to publish my photo-books (which has already been set in motion with last week’s release of Slices of Life in North America).

It might not seem like a big deal to those of you out there who don’t do much photography.  But editing photos is a pretty big deal.  Think about the time it takes to make one, single image from snapshot to professional- or portfolio-worthy status:

You research possible shot opportunities.  You go out and find the scene.  You look at the scene through your creative eye — scanning for angles and composition.  You frame up the shot.  You snap a single image — or, in most recent cases, several images at different exposures to edit down into a High Dynamic Range image.

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Then you take that image home to edit it.  You spend anywhere from a few minutes to possibly a few hours working over all the intricate, minute details in order to make everything just right.  And when you’re finally satisfied, you crop it, resize it, and even save it in several different formats in order to ensure that it prints well or looks right in different applications.  And all of this effort is for one, single frame.

Now imagine the time it must take to do that to an entire card-full of images — 1,000 pictures, say.

That’s a long time.  But this is still just the tip of the iceberg when you multiply this effort nearly 100 times over.  At that point, one might begin to get a picture of just how hard bloggers, photographers, journalists and other media professionals endeavor to produce the work they love.

So when my friends wonder why every time they ask me what I am up to, I tell them I am editing, it will come as no shock that for the last two-and-a-half years I have been editing no less than 78,488 images across 663 folders and taking up more than 670 gigabytes of drive space.JakartaResize (20)

All told, it took my computer more than 14 hours to back up these images from my master drive to my redundant drive.  I set it running last night at around 8pm and it ran until just about an hour ago (10:30 this morning).

I have worked pretty tirelessly to create these images — from the excursions to collect them, to the countless hours poring over them.  I am very proud of them.  I know it sounds cheesy and dramatic, but they are ultimately my life’s work.  They are my gift to the world.  And hopefully someone thinks enough of just one of them to remember them as the embodiment of my efforts.  Hopefully someone will take what I have done and seek to outdo it.  Or perhaps something I’ve captured will move someone to educate themselves to the culture or tradition of a foreign place or populace.

I like to think that my brand of images has a unique feel.  And while I have posted the entire lineage of my photographic pursuits online — from my photojournalism days working for the newspapers putting myself through college, to my global travels abound — I find comfort in the thought that there might be a few people out there who have been witness to the evolution of my photographic style, creativity and scope.  Perhaps if they have watched it grow into something better, I can call myself a successful photographer.

I also enjoy the fact that I have paved my own way to creating my type of images, my way, on my schedule and without any outside influences.  Just as a painting would be distorted by a pressured painter, my images would not be what they are today if I had been kept to a deadline, forced to shoot in undesirable locations or to support the agenda of specific content.  I’d certainly hate to think that my hard work would simply wind up acting as a vehicle for some corporate sponsored advertisement.

JakartaResize (23)What I have chosen to do with my photography, too, has been a point of pride.  My images have been published in dailies from the Midwest U.S. and Costa Rica, to Bangkok and Taipei.  My work has been seen in magazines in Asia and the Americas.  My pursuits have won awards with prestigious organizations like the Society of Professional Journalists, the South Asian Journalists Association and the NPPA.  They have earned repeat invitations to sit as judge to various imaging contests.  They have been published in six books to date, with more than a dozen either on the way or in manuscript form.  And I have use them in international exhibits and as I have worked as a lecturer in visual communications on two continents over the last five years.

These images have been the driving force that brought me back into the field of video production as well.  Ever since my brother and I ran the cameras that put our local church service on the air every Sunday morning, he and I have had many years of experience in the photo and video business.  We’ve remained in the field in one way or another throughout our lives.  And the lessons and techniques that have been honed in my time behind the lens have lent themselves to a rewarding experience producing some pretty amazing films.Thaipusam1_resize

And as I look over my newly backed-up database of visual creations, these are the thoughts that cross my mind.  So if I die tomorrow, I would do so knowing that I have finally completed one of my most deeply held aspirations — to capture and share a body of work representative of one man’s perspective in a visual journey through one decade of growing, learning and creating.

And my only hope for the future of this catalog of media is that I can inspire just one other person to embrace the diversity that I have aimed to capture within my images.  We are all birds in the same forest.  Whether we realize it or not is the difference among those of us who have chosen to look beyond the bars of our own birdcages.

Malacca Day 3: Taming Sari Gyro Tower at Night over the Town

On my last night in Malacca, Malaysia, I decided to take a trip to the rotating tower high above the new downtown area just outside of the Dutch Quarter.  Though it wasn’t a long trip, I still came away with some great shots and experienced the town unlike most visitors here.
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Malacca Day 3: Night Driving

This timelapse sequence covers the entire trip from the old Dutch Quarter, through downtown Malacca, to the restaurant hub behind the newest part of town.
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Malacca Day 2: Night Walk in the Dutch Quarter Part Two

Walking through the old Dutch Quarter of Malacca, I snapped these photos under the Banyon trees.  I put them into this timelapse sequence just to add a bit of glamour on my otherwise normal photo-walk through the old town. The trees were lit up and really beautifully with the colored lights pointed up from underneath.
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Malacca Day 2: Night Walk in the Dutch Quarter Part One

Walking through the old Dutch Quarter of Malacca, I snapped these photos under the Banyon trees.  I put them into this timelapse sequence just to add a bit of glamour on my otherwise normal photo-walk through the old town. The trees were lit up and really beautifully with the colored lights pointed up from underneath.
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New Photos from the Philippines, 2nd album

Okay, so here is the second album of recently edited photos.  This is the rough draft editing stage of the photos.  The final drafts will be edited all together in a batch process and then uploaded to the commercial website.  So you’re getting the sneak preview before the photography page gets updated.

In this album, the elderly people taken in HDR are from the hill tribes living in the mountains.  The beautiful lady trying to hide her face from the camera was so shy that her friends made her take the photograph.  She very reluctantly and uncomfortably sat as I snapped these shots of her.  I gave her a warm thanks and a fist full of cash afterward.  And they wounldn’t let me leave without getting a shot of the tattoos that she acquired in her time in the hills.  The tribes people decorated themselves back then and are strangely embarrassed of it now.  The older gentleman sat proudly and let me take this shot even though the youngsters around him were laughing and pointing.  He seemed not to mind.

Be sure to click the images and make them larger.  The detail that comes out in HDR when you’re looking at the larger image reveals much more detail than a thumbnail.  Tremendous range is exposed in this technique of photography — which is responsible for giving the photos that “dreamy” feel to them.  The mountain shots have so much old-worldy feel to them in these shots.  There are many more that will make it to the commercial site, but these will have to do to start.

Take a look and be sure to leave me comments on what you think!

New Photos from the Philippines

No journal today.  I thought I would just share some photos that are recently edited.  This gallery will only consist of regular color and B&W photography.  Stay tuned, though, for the gallery coming up later today in HDR.  I think that will be the highlight of the first half of the Philippines journals.  These photos are not yet complete, and therefore I haven’t loaded the gallery up to the website yet.  So you’re getting the sneak preview before the photography page gets updated.

Enjoy!

journal 41: Hong Kong and the 16-story Chungking Mansion

Hong Kong is a massive rush for any first-timer.  It’s even more so at any time during rush-hour.  It was amazing when I found a street, like the one above, that wasn’t completely packed with foot traffic.

Laborers throwing bags of rice from a truck; rich folk chatting away on their Blackberries; book-reading, iPod-flicking zombies pausing just inches before bumping into passersby as they come barreling into their shallow field of vision.  It’s a maze of trollies, Mercedes, buses, overhead walkways and cryptic alleys selling everything from pantyhose to Christmas lights.  And amid all this, surprisingly no other photographers.

For this trip, I made a special effort to work a my new style of photography that I have been wanting to integrate into my repertoire.  And it requires a tripod with a nice head and the ability to hold at least 8Kg of camera body and lens attachments.  So there I was, mid-sidewalk, setup and ready to shoot as the sea of people flowed around me, and I got the sense, for the first time while traveling, that I was no longer worried of being the victim of any type of robbery.

I know that sounds strange, but I am constantly on the lookout for quick hands, have an ever-present eye on my bag and know where all my camera gear is at all times.  But I suppose I took more comfort than usual in the massive swell of bodies in motion all around me.  I wouldn’t have been able to chase anyone down, shout at someone or for help or have much chance of even knowing if I was actually the victim of pick-pocketing.  But I was at ease nonetheless.

I guess that feeling came mostly because I was a point of attraction in the street.  So all the eyes peering in my direction acted as a web of security for anyone ballsy enough to approach and steal something from me.  It would probably be the equivalent of walking onto a stage in the middle of a ballet and trying to steal a tutu.  It was pretty refreshing, actually.  After all, this is no small city; and indeed no city which was unfamiliar with crime of all kinds.

But before I start a tangent, I want to discuss some items that will be shortly upcoming for this blog, blog #41, the content of future blogs and the big plans that I have for the future of the blog in general.  

For this blog, I’d like to introduce a new technique that I have been interested in since my Korea trip.  I wanted to do more of it on that trip, but I limited it mostly to gathering a style, hammering in the technique and then working on solid post-production.  This new technique is called High Dymanic Range photography, or HDR for short.

This type of photography consists of creating several frames of the same image at different exposures and capitalizing on their ability to draw from different gradients of light to maximize the feel of “being there,” visually speaking.  As you’re standing in a place, your eyes do a much better job of analyzing light as it truly appears.  The problem that cameras innately have, is that they can expose for only one temperature of light at a time.  This can be manipulated with the use of filters, multiple masking layers in editing and of course the software itself has, to some extent, the ability to draw out the other underexposed areas.

But when a camera can bracket several exposures almost simultaneously, it makes the work of getting the right all-around exposure pretty easy business.  And with new technology, powerful thinking by photographic creatives and lots of financial backing, software has come about that makes that process much easier.  But while HDR not only increases the amount of time needed to dedicate for still images on location, but adds a step in an already very tedious production process for large catalogs of images (that ultimately I have to deal with after every trip), it is much more rewarding once the final product is in.  The image at the top of this blog is the exact result of what I am describing here.  It is the way light hits the eyes naturally, exposing the under-eve locations of the scene just as would your eye’s quick and long-adapted ability to do so.

This image is another one of my favorites from the Hong Kong Collection.

This dramatic lighting comes from the multiple exposures that were created during a series of high-speed, continuous shooting that my Nikon has the ability to do, freezing the action sequence in a way that makes it possible to layer several different exposures into a single image.

But more about that later.  Another part of the plans that I have for this blog is the addition of two very exciting things.  I will be adding a discussion section of the newest gear that I am interested in like photographic equipment, travel guides and equipment, books, different websites that I keep up with and lots more to make things interesting.  And the other point that I am excited to be bringing to the blog is a photography contest!

I will be hosting a new photo contest each month with prizes for first and second place.  And lots of cool extras for participants.  But since this blog can’t handle that kind of memory (or won’t, really), I have opened up a new website that I will be announcing shortly.  There are some really great things afoot, so be sure to stay tuned for the latest on what’s happening.

And as for the blog that will be carried over to the new site, I want to also introduce new features that I have wanted to implement and that I think will really be good for the site (and that you will enjoy seeing).  Firstly, I plan on putting up lots of videos.  I liked seeing them in other blogs that I subscribe to and I have regretted not putting more emphasis on that here.  Travel videos, tutorials, discussions on the latest gear that’s out there are all going to be part of my upcoming videos.

Secondly, I will also have a member’s area where you can log on, post links to your site, get your photos seen, link to your twitter account or Facebook and even start discussions of what interests you in the worlds of travel, writing and photography.

I want to form a community where I, and others, can come and keep up with others out there traveling, writing and doing what they love (and all those who live vicariously through them).  But I will be discussing that more in upcoming blogs.  For now, though, I have the great Hong Kong to blog about.  Don’t worry, I will be talking about my newest favorite gear in this blog as well.

Lastly, I have several books slated to be published next year and, as well as portraits and landscapes, I will be hosting them on this and my photography site.  I will give some of them away as prizes and will also host books by other authors like me trying to gain more exposure.  I will, of course, be doing this overseas, so you’ll have to be willing to wait a few weeks for delivery if you’re the lucky winner.  But I will get you your prizes, I promise.

But I don’t want to stray too far from the norm of the blog just yet.  So in light of the mention of my interest in discussing books, I wanted to point out one that I purchased while I was in Hong Kong.  It’s a great read and it’s written by Gordon Matthews, a professor of anthropology at the Chinese University of Hong Kong, who’s taken a really interesting avenue for his research.  He’s stayed at least one night at the Chungking Mansions each week for the three years preceding this book (and I am willing to bet, a few more).  In his book, Ghetto at the Center of the World, he describes the Chungking Mansion as a dilapidated, 16-story commercial and residential structure in the heart of Hong Kong’s tourist district.  It’s home to a remarkably motley group of people including traders, laborers, asylum seekers, drug dealers, prostitutes  and even foreign workers who return home once every few months.

Of course, I stayed there as well.  And I have to say, the research alone that went into this book had to be pretty entertaining.  Every night there was some really amazing activities afoot right outside the gates.  The on-duty security guards mostly laughed along with the residents at what was happening.  But I didn’t feel unsafe (mostly) while I was there.

I can say, though, that this little building that would be boarded up and locked down for fear of collapse in many other countries, was a truly amazing oddity to be sandwiched amid the looming towers in the multinational headquarters of the world’s financial mecca.  Multinational corporations and global companies might barely even lift a proverbial eye brow in its direction.  But this dusty edifice probably had more character attraction on one floor than several of its goliath neighbors put together.

Anyway, it’s a great read if you get the chance to pick it up.  But what better way to paint a picture of my experience in Hong Kong.  It was really great.  And the people were something unexpected, too.

As far as the city goes, from the cobbles in the alleyways to the marble floors at Starbucks, this, like many other huge, Asian cities, was basically a huge shopping mall.  But the people were what made it surprising.  Mostly they kept to themselves.  But when bumped into (which was a rare occurrence indeed) there was always a hand wave and an apologetic look which was normally followed by an “excuse me.”  And that reminds me, everyone speaks English in Hong Kong.  So if you’re on your way there, you don’t have to worry about brushing up on your Cantonese first.  But while you might not want to carry all those extra pieces of luggage through this unforgiving maze of concrete, you may want to overpack your wallet.  This place is EX-PENS-IVE.  And by no means should you take that lightly.  You will go through more money here than most other places you’ll go.  Make no mistake about that.

Not only is the exchange rate very difficult to quickly calculate mentally, it’s also difficult to bargain with people here because they’re so used to catering to so many currencies that they will try and work into other denominations to make it sound like a better deal.  Talk about a headache.  My calculator was the first thing to materialize when I approached any booth, table or counter — long before the money came out.

The trip wasn’t that long, really.  All I had to do was get my residence visa worked out for Taiwan and check into my Myanmar tourist visa for my next visit there early next year.  So the rest of the time was spent in book stores, checking out the sites, photographing amazing street action and, oh yeah, the best part: sailing through Victoria Harbor and Kowloon Bay.  I have wanted to do that for so long.

Downsides to HK: if you’re not used to walking on inclined planes, you’ll be dead within hours of arriving.  That, or you’ll simply never get anything done.  Walking is everything.  And everything is slanted vertically.  So start your hikes early in preparation for a visit.

Upside, you can get anything you want here (and I mean that literally).  And for being in Asia for the last three years, it’s nice to get an American cheeseburger and fries with real pickles and real ketchup/mayo and all the trimmings.  Quite enjoyable.

Don’t forget to drop by the website, cyleodonnell.com, and check out the new Hong Kong gallery.

Until next time, happy trails!